Nestor Notailis: Kea Skull (2021)
Nestor Notailis: Kea Skull (2021)

Ink drawing on paper.

Stag Head (2020)
Stag Head (2020)

Ink drawing on paper.

Ram Skull (2021)
Ram Skull (2021)

Ink drawing on paper.

Raven (2021)
Raven (2021)

Ink drawing on paper.

Bird Skull: Bird of Paradise (2020)
Bird Skull: Bird of Paradise (2020)

Ink drawing on paper.

Horse Head (2020)
Horse Head (2020)

Ink drawing on paper.

Horse (2020)
Horse (2020)

Conte pencil drawing on black paper.

Untitled: Heart (2018)
Untitled: Heart (2018)

Hand embroidery on canvas.

Untitled: Heart (2018)
Untitled: Heart (2018)

Hand embroidery on canvas.

Untitled: Heart (2018)
Untitled: Heart (2018)

Hand embroidery on canvas.

Untitled: Heart (2018)
Untitled: Heart (2018)

Hand embroidery on canvas.

Heart (2019)
Heart (2019)

Digital design from a lino-cut print.

Dawn Hampton
Dawn Hampton

Digital low poly portrait of jazz legend Dawn Hampton.

Norma Miller
Norma Miller

Digital low poly portrait of jazz dance legend Norma Miller.

Frankie Manning
Frankie Manning

Digital low poly portrait of jazz dance legend Frankie Manning.

Terminus: I can't tell where I end and you begin. (2008)
Terminus: I can't tell where I end and you begin. (2008)

This installation piece comprises of a room made from second-hand doors, four per wall. Each door functions as expected, hung on a frame and can be opened, closed and walked through by the viewing public.

Installed for the 2008 fine art graduate exhibition at the University of Reading.

Terminus: I can't tell where I end and you begin. (2008)
Terminus: I can't tell where I end and you begin. (2008)

This installation piece comprises of a room made from second-hand doors, four per wall. Each door functions as expected, hung on a frame and can be opened, closed and walked through by the viewing public.

Installed for the 2008 fine art graduate exhibition at the University of Reading.

Terminus: I can't tell where I end and you begin. (2008)
Terminus: I can't tell where I end and you begin. (2008)

This installation piece comprises of a room made from second-hand doors, four per wall. Each door functions as expected, hung on a frame and can be opened, closed and walked through by the viewing public.

Installed for the 2008 fine art graduate exhibition at the University of Reading.

Terminus: I can't tell where I end and you begin. (2008)
Terminus: I can't tell where I end and you begin. (2008)

This installation piece comprises of a room made from second-hand doors, four per wall. Each door functions as expected, hung on a frame and can be opened, closed and walked through by the viewing public.

Installed for the 2008 fine art graduate exhibition at the University of Reading.

Terminus: I can't tell where I end and you begin. (2008)
Terminus: I can't tell where I end and you begin. (2008)

This installation piece comprises of a room made from second-hand doors, four per wall. Each door functions as expected, hung on a frame and can be opened, closed and walked through by the viewing public.

Installed for the 2008 fine art graduate exhibition at the University of Reading.

Terminus: I can't tell where I end and you begin. (2009)
Terminus: I can't tell where I end and you begin. (2009)

This site-specific installation piece comprises of a room made from second-hand doors, five per wall, situated in the main exhibition space at the Beirut Art Centre, Lebanon, positioned between supporting pillars of the first floor mezzanine. Each door functions as expected, hung on a frame and can be opened, closed and walked through by the viewing public.

Installed for the BAC’s curated group exhibition ‘Exposure’ in 2009.

Terminus: I can't tell where I end and you begin. (2009)
Terminus: I can't tell where I end and you begin. (2009)

This site-specific installation piece comprises of a room made from second-hand doors, five per wall, situated in the main exhibition space at the Beirut Art Centre, Lebanon, positioned between supporting pillars of the first floor mezzanine. Each door functions as expected, hung on a frame and can be opened, closed and walked through by the viewing public.

Installed for the BAC’s curated group exhibition ‘Exposure’ in 2009.

Terminus: I can't tell where I end and you begin. (2009)
Terminus: I can't tell where I end and you begin. (2009)

This site-specific installation piece comprises of a room made from second-hand doors, five per wall, situated in the main exhibition space at the Beirut Art Centre, Lebanon, positioned between supporting pillars of the first floor mezzanine. Each door functions as expected, hung on a frame and can be opened, closed and walked through by the viewing public.

Installed for the BAC’s curated group exhibition ‘Exposure’ in 2009.

Terminus: I can't tell where I end and you begin. (2009)
Terminus: I can't tell where I end and you begin. (2009)

This site-specific installation piece comprises of a room made from second-hand doors, five per wall, situated in the main exhibition space at the Beirut Art Centre, Lebanon, positioned between supporting pillars of the first floor mezzanine. Each door functions as expected, hung on a frame and can be opened, closed and walked through by the viewing public.

Installed for the BAC’s curated group exhibition ‘Exposure’ in 2009.

Terminus: I can't tell where I end and you begin. (2009)
Terminus: I can't tell where I end and you begin. (2009)

This site-specific installation piece comprises of a room made from second-hand doors, five per wall, situated in the main exhibition space at the Beirut Art Centre, Lebanon, positioned between supporting pillars of the first floor mezzanine. Each door functions as expected, hung on a frame and can be opened, closed and walked through by the viewing public.

Installed for the BAC’s curated group exhibition ‘Exposure’ in 2009.

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